Sean David Christensen: THE DUEL

Sean David Christensen: THE DUEL
July 1 – September 17, 2017
OPENING RECEPTION: July 1st from 7-10pm



Based on a true story by actress Lili Taylor, The Duel is an experimental visualization of her father’s private struggle with manic depression. Originally told on the award-winning RISK! podcast, Taylor recalls a harrowing afternoon in which she saved her younger brother from the dangerous reality of their father’s sudden mental breakdown.




Sean David Christensen is an artist who works in graphic design, music and experimental documentary. His work has been featured at the San Francisco International Film Festival, New Hampshire Film Festival, Nevada City Film Festival, Phoenix Film Festival & Little Big Shots: Australian International Animation Festival. Online, his artwork & animation has been featured on Buzzfeed, The A.V. Club, Gawker, Fandor, Boing Boing and his animated documentary The Sandwich Movie was named a Vimeo Staff Pick in 2010. On television, his experimental documentaries have been shown on PBS. Christensen lives and works in Phoenix, AZ.

Cog*nate Collective: Now & Always Santa Ana (NASA)

Cog*nate Collective: Now & Always Santa Ana (NASA)
July 1st from 7-10pm


Cog*nate Collective, Now & Always Santa Ana (NASA). Courtesy of the artists.

Cog*nate Collective, Now & Always Santa Ana (NASA). Courtesy of the artists.


This summer, GCAC artists-in-residence Cog*nate Collective will be facilitating a series of recording sessions + listening stations as part of Now & Always Santa Ana (NASA), a pirate-radio station dedicated to space exploration on a local, regional, and cosmic scale.
Their first recording session, taking place during Artwalk, will depart from the scale of the body to re-imagine and re-articulate borders from this vantage point.
Content produced as part of this session will be featured alongside other programming in the first pirate broadcasts in August.




Cog*nate Collective develops research projects + public interventions + experimental pedagogical programs in collaboration with communities across the US/Mexico border region. Since being founded in 2010, their work has interrogated the evolution of the border as it is simultaneously erased by neoliberal economic policies and bolstered through increased militarization — tracing the fallout of this incongruence for migrant communities on either side of the border. As a result, their site-specific projects often address issues of migration, informal economies, and the construction of collective identities through popular cultural, proposing an understanding of the border not as a bifurcating line, but as a region that expands and contracts with the movement of people and objects. They currently work between Tijuana, MX, Mexicali, MX, Santa Ana, CA and
Los Angeles, CA.

Lucio Muniain: Are You Skeptical?

Lucio Muniain: Are You Skeptical?
June 3 – August 13, 2017
OPENING RECEPTION: June 3rd from 7-10pm


Through television, the Internet, printed press and phones, we are being constantly bombarded with images. Many of the images we encounter are of the violence that seems to be rampant within societies around the globe. The pictures we often encounter are those that result from the violence of war; police brutality; the hatred and abuse against immigrants, refugees, LQBTQ communities and people of color; domestic violence; gang and narcotrafficking warfare; and other horrifying incidents that occur each day.


Mexico City based artist Lucio Muniain’s work depicts gruesome realities ripped from everyday press, redelivered by the artist in a loose style of hand drawn figures and objects, accompanied by text phrases – street language, slang, cynical observations the artists creates. He draws from these images, violent and tragic events he too witnesses in the world around him, the events that appear beyond our ability to affect. The drawings begin the reveal of our own growingly desensitized response to such imagery, the unspeakable violence and atrocities that surrounds our everyday, leaving us nearly powerless. This is the reality of life in the artist’s hometown, and cities around the world.

Art is a medium that can describe, or allow us to escape, actual violence that surrounds us. We can use it to distinguish between fact and fiction, attempting to lessen the blows of reality. But when those realities are playing out daily around us, we must work to face them head on and begin to better examine their root cause, look for possible solutions, and begin a civil discourse to promote positive change.

The drawings and paintings of Muniain allow for this reflection, a mirror held to the eyes to question our own role in society, as participant and/or observer. His works lures us like a visual siren song with desire, color and imagery, than challenge us with repulsion, humor and disgust.His work reminds us what it means to be human, with our abilities of empathy, expectation, desire, unpredictability, hope and knowledge of the fragility of life.


Lucio Muniain studied architecture and urbanism at the Universidad Iberoamericana and at Parsons School of Design in New York, and holds a Masters Degree from the Universidad Iberoamericana. Muniain has an independent architecture practice since 1998. Among his most important works and projects are the Corporativo Autofin (Corporate office building of 40,000 M2), Bahía Balandra Project in La Paz, South Baja California, Mexico (Master plan for a 20,000 inhabitant city on its first phase, with Rick Joy, Mathias Klotz, Rem Koolhaas and Nieto & Sobejano among others), Third place in the national competition for the Republic’s Senate Corporate Headquarters and the Andean Development Corporation (CAF) First Place, International Competition by invitation (in collaboration with PRODUCTORA). He is a self-taught painter and was represented by Nina Menocal Gallery in Mexico City and has had solo and collective exhibitions in national and international galleries and museums.

Davy Sumner: Tines

Davy Sumner: TINES

June 3 – August 13, 2017


Based on an 1859 experiment by German Scientist Franz Melde, TINES are tuning forks that are vibrated by precisely directed magnetic fields. Pulsing a strong electromagnet at the resonant frequency of a tuning fork causes it to start oscillating (and producing sound). The deer-like sculptures act as resonators to increase the audibility of the tuning forks, amplifying their otherwise faint tones into raw materials for a digitally constructed audio composition.


Davy Sumner is a sound artist, composer, and percussionist residing in Los Angeles, CA. His work favors the use of multichannel audio, feedback-based systems, algorithms, and custom electronics.

Special thanks to Chris Wormald for design, fabrication and installation assistance.

GCAC Residency Project “Vireo” Releases May 31st on KCET

Artist Residency Project of CSUF Grand Central Art Center (GCAC)
VIREO: The Spiritual Biography of a Witch’s Accuser” 
To Be Released by KCET

VIREO is a Made-for-TV Opera, Composed and Conceived by 
 GCAC Artist-in-Residence Lisa Bielawa on a Libretto by Erik Ehn and Directed by Charles Otte

Broadcast World Premiere June 13 On KCET and LinkTV

In a First for the Network, All Twelve Episodes Will Become 
Available for Binge-Watching May 31 at and

(Images top to bottom: Soprano Debora Voigt, Rowen Sabala as the title
character, mezzo-soprano Laurie Rubin, and composer Lisa Bielawa
conducts Kronos Quartet)

BURBANK, Calif. – May 10, 2017 – “VIREO: The Spiritual Biography of a Witch’s Accuser” is an Artist Residency Project of Grand Central Art Center in Santa Ana, a unit of Cal State Fullerton’s College of the Arts shepherded by Director and Chief Curator John Spiak. The new, made-for-TV-and-online opera conceived and composed by Lisa Bielawa on a libretto by Erik Ehn and directed by Charles Otte, is unprecedented in that it is being created expressly for release online and on TV. The unique multimedia initiative includes online articles and videos showcasing various facets of the production. VIREO is the winner of the 2015 ASCAP Foundation Deems Taylor/Virgil Thomson Multimedia Award and was recently awarded a prestigious MAP Fund Grant for 2016 through Grand Central Art Center.

Bielawa says of Spiak’s involvement, “John Spiak is a visionary collaborator, and his inspired custodianship of VIREO from a crazy idea between just the two of us to a full-blown, epic innovative endeavor at the highest production level would not have been possible without him and the whole team at CSUF Grand Central Art Center. GCAC is where artists can dream and create outside the box.”

KCETLink Media Group, a leading national independent non-profit public broadcast and digital network, announced that VIREO will make its world broadcast television premiere on Tues., June 13 at 8 p.m. ET/PT on both KCET in Southern California and Link TV (DirecTV375 and Dish Network 9410) nationwide. Produced in partnership with Cal State Fullerton’s Grand Central Art Center (GCAC), the two-and-a-half-hour broadcast will be a special edition of KCETLink’s Emmy® award-winning arts and culture series ARTBOUND. In a first for the network, KCETLink will release all 12 of the approximately 15-minute episodes of VIREO at once for free, on-demand streaming starting Weds., May 31 at,, and on Apple TV and Roku.

The eponymous heroine Vireo, played by soprano Rowen Sabala, is a fourteen-year-old girl genius entangled in the historic obsession with female visionaries, as witch-hunters, early psychiatrists, and modern artists have defined them.Based on Bielawa’s own research at Yale, then freely adapted and re-imagined by librettist Ehn, VIREO is a composite history of the way in which teenage-girl visionaries’ writings and rantings have been manipulated, incorporated and interpreted by the communities of men surrounding them throughout history. From the European Dark Ages, to Salem, Massachusetts, all the way to 19th century France and contemporary performance art, VIREO provides a thoughtful, sometimes-humorous look at the universal issues of gender identity, perception, and reality.

VIREO features the work of over 350 musicians including opera star Deborah Voigt, violinist Jennifer Koh, cellist Joshua Roman, mezzo-sopranos Laurie Rubin, Maria Lazarova and Kirsten Sollek, baritone Gregory Purnhagen, tenor Ryan Glover, drummer Matthias Bossi, soprano Emma MacKenzie and in the title role of Vireo, teenage soprano Rowen Sabala.

Additionally, the opera features the talents of notable groups and organizations from around the country including Kronos Quartet, the San Francisco Girls Chorus, Magik*Magik Orchestra, American Contemporary Music Ensemble, Alarm Will Sound, PARTCH, the Orange County School of the Arts Middle School Choir, and many, many more.

For a complete list of VIREO performers, see: 

VIREO was shot from New York’s Hudson River Valley to California’s redwood forests. Production began in February of 2015 in the Los Angeles area at Santa Ana’s Yost Theatre and proceeded to shoot through January of 2017 in iconic locations around the country, including the 16th Street Oakland Train Station and San Francisco’s Alcatraz Island.

A comprehensive VIREO online content hub is available at, providing viewers of VIREO an immersive second screen experience. Featuring interviews with cast and crew, behind-the-scenes content and exclusive insights into the themes of the production, the online hub and social media video content is also available on the @KCET28 and @LinkTV Facebook page.

Upcoming screening events will be held across the country over the summer months and are open to the public. The current list of screenings includes the following (*subject to change):

Weds., June 21 from 6-10 p.m. Day of Music at the Plummer Auditorium / 201 E Chapman Ave, Fullerton, CA 92832 (free to the public)

Sun., June 25 at 2 p.m. and 6 p.m. Arts nonprofit Fort Mason Center for Arts and Culture (FMCAC) Cowell Theater / 2 Marina Blvd., San Francisco, CA 94123 (ticketed event)

Fri., July 7 at 7 p.m. National Sawdust Screening of all 12 episodes / 80 N. 6th St., Brooklyn, NY 11249 (ticketed event)

To learn more, please visit or or on social media use #OperaVireo


Grand Central Art Center (GCAC), a unit of California State University at Fullerton College of the Arts, is dedicated to the investigation and promotion of contemporary art and visual culture: regionally, nationally, and internationally through unique collaborations among artists, students, and the community. GCAC is the result of a unique partnership between the California State University at Fullerton and the City of Santa Ana. Located ten miles south of the main campus in the heart of downtown Santa Ana, the art center is a mixed residential, commercial and educational complex. The art center is a 45,000 square-foot, full city-block long and half-city block deep, three-level structure that houses: live/studio spaces for visual arts graduate students, the Grand Central Main Gallery, Project Room, Education/Teaching Gallery, and artist-in-residence program. To learn more about the GCAc artist-in-residence program, please 


KCETLink Media Group, formed by the merger between KCET and Link Media, is a national independent, nonprofit, digital and broadcast network that provides high-quality, culturally diverse programming designed to engage the public in innovative, entertaining and transformative ways. With a commitment to independent perspectives, smart global entertainment, local communities, and opportunities for engagement and social action, KCETLink depicts people and the world through a lens unavailable elsewhere in U.S. media. A viewer-supported 501(c)(3) organization, KCETLink content is distributed nationally via satellite on Link TV – DIRECTV channel 375 and DISH Network channel 9410 – and on KCET in Southern and Central California via broadcast and cable, as well as through various digital delivery systems. For additional information about KCET and Link TV productions, web-exclusive content, programming schedules and community events, please visit or Select programming from KCET and Link TV is also available for streaming on Hulu, Apple TV, and Roku platforms.

Julie Orser: Captain Rooftop

A male pirate stands against a railing on a rooftop with the city of Los Angeles in the background

Julie Orser: Captain Rooftop
April 1 – June 11, 2017


The camerawork and sound design for Julie Orser’s single channel video work Captain Rooftop (2017) takes a feminist approach against traditional seamless cinema. Orser’s “Captain” figure is an obsolete masculine character that makes a strong attempt to posture, to literally hold his ground, even when that ground appears to be unstable. As time progresses it becomes clear his actions are futile, they are just the facades of a showman, an actor, playing the role for which he has been cast.


Julie Orser (b. Chicago) received an MFA in Studio Art from California Institute of the Arts and a BFA in Photography at Pacific Northwest College of Art. The artists videos, photography, and multi-channel installations have exhibited at the Museum of Modern Art (New York), Luckman Gallery (Los Angeles), Changing Role Gallery (Rome), Shoshana Wayne Gallery (Santa Monica), Christopher Grimes Gallery (Santa Monica), Steve Turner Contemporary (Los Angeles), Künstlerhaus Bethanien (Berlin), Utah Museum of Contemporary Art (Salt Lake City), Il Magazzino d’Arte Moderna (Rome), Royal College of Art (London), Kunstraum Innsbruck (Austria), The Gallery Loop (Seoul), Bemis Center for Contemporary Arts (Omaha), Yerba Buena Center for the Arts (San Francisco), Santa Barbara Contemporary Arts Forum, The Armory Center for the Arts (Pasadena), Indianapolis Museum of Contemporary Art, Cheekwood Museum of Art (Nashville), Ann Arbor Film Festival, Saison Vidéo,PDX Film Festival, and Dallas Video Festival. Orser was awarded the 2010 California Community Foundation Visual Artist Fellowship for Emerging Artists, the 2014 and 2009 Investing in Artists grants from the Center for Cultural Innovation, and the 2014 ARC grant. Julie is the co-founder of ART OFFICE for Film & Video and Assistant Professor in the Creative Photography Program at California State University, Fullerton. The artist lives and works in Los Angeles.

SanTana’s Fairy Tales: Sarah Rafael García

SanTana’s Fairy Tales

Sarah Rafael García
March 4 – May 14, 2017

Developed through a one-year onsite artist-in-residence at Grand Central Art Center, SanTana’s Fairy Tales is a visual art installation, oral history, storytelling project initiated by artist/author Sarah Rafael García. The project integrates community-based narratives to create contemporary fairytales and fables that represent the history and stories of Mexican/Mexican-American residents of Santa Ana (inspired by the Grimms’ Fairy Tales), which include:

The Carousel’s Lullaby
SanTana’s urban history intertwined with a traditional Mexican-folk lullaby and a haunting ghost carousel.

Zoraida & Marisol
The godmother of life or death, Zoraida grants transgente a vital wish at their last breath.

Just A House
Josie, a young girl caught between two worlds, the haunting past and displaced futures.

Hector & Graciela (an homage to the Brothers Grimm’s Hansel & Gretel)
Hunger, uncertainty, border crossings—a precarious family-life in our little city.

When The Mural Speaks…
One man’s perspective, a fable from the faces on the wall.

The Wishing Well
A central landmark becomes a magical promenade of forgotten wishes and parallel worlds.

The multi-media installation, created by the artist in collaboration with local visual, musical and performance artists, presents bilingual single-story zines, a fully illustrated published book, an ebook, and a large format classical book with graphic art by Sol Art Radio‘s Carla Zarate. Viento Callejero’s Gloria Estrada, in collaboration with local singer/songwriter Ruby Castellanos and members of the Pacific Symphony, composed an “open book” sound performance for the project. The entire collection was translated by poet Julieta Corpus and published in collaboration with Raspa Magazine.  Digital archives for the project were researched and obtained by Mariana Bruno, CSUF Graduate Student in the Department of History.  The ebook is being produced by Digitus Indie Publishers.


Sarah Rafael García is a writer, community educator and traveler. Since publishing Las Niñas in 2008, she founded Barrio Writers and LibroMobile. Her writing has appeared in LATINO MagazineContrapuntos IIIOutrage: A Protest Anthology For Injustice in a Post 9/11 WorldLa Tolteca ZineThe Acentos Review, among others. In 2010 Senator Lou Correa honored the artist with the “Women Making a Difference” award and in 2011 she was awarded for “Outstanding Contributions to Education” by the Orange County Department of Education in California. Sarah Rafael is also a Macondo Fellow and an editor for the Barrio Writers and pariahs anthologies. She obtained a M.F.A. in Creative Writing with a cognate in Media Studies in May 2015.


SanTana’s Fairy Tales was supported in part by The Andy Warhol Foundation for the Visual Arts, through a grant supporting the Artist-in-Residence initiative at Grand Central Art Center. Thank you to the City of Santa Ana for their generous loan of original elements from the Fiesta Marketplace sign and carousel.